Mirror, Mirror, on the Wall
by Trisha Khattar

            “You’re with a woman.”
            “Yes.”
            “In… love. Pyaar.”
            “I  that’s complicated.”
            “How?”
            Curled up on the seat of the toilet in the aftermath of The Argument with tear-stained cheeks, I know what he’s asking and yet I don’t respond right away.
            “I don’t know,” I murmur, freely handing over the ammunition he needs to rip me apart. It’s 1 a.m. and at this point, I just want to hear his voice. The night feels like the moment the music turns off at a dance and you’re snapped back into reality, of days painted in a midnight blue before a night of blinding beautiful red. Today the strokes of the brush are rough, color a darker shade closer to black.
            I need this today. Everything is healthy in moderation, right? I haven’t looked into the mirror of this bathroom in weeks. I deserve this.
            “You don’t know. So you’re not in love with a woman?” he remarks, quite predictably. He raises one eyebrow, looking down at me. It’s apparent in the scorn of his faint smirk that for once, he’s glad to have something over me.
            Petty, I understand. It must be genetic.
            “What do you want to hear, Kabir?” I ask. “Yes, I’m in love with a woman? She seduced me, drew me away to the dark side. I bet that’s it.”
            The smile slides slowly off of his face.
            “Or no, I’m not in love with her because — what is it you say, again? Aise nahin hota,” he flinches as if the words are a knife at his throat, and they are. I intend them to be. This is not how it’s done, Ananya. I giggle a little hysterically.
            “This woman… She loves you?” he asks, eyes indecipherable.
            I fix my gaze on the bottle of toothpaste up on the counter, idly noting that it’s running out. I know I had written it on the list I gave Maya when she left to buy groceries last Saturday. We had just fought, I remember. Her clenched and brows furrowed, words sharp and biting. The corner of the crumpled stained post-it peeking from her clenched fist and her soft voice when she paused in the doorway, I can feel you pulling away.
            Maybe I should text her now.
            But I know that when she comes back, smile as wide as her arms, she’ll pull me in to tuck my face into the curve of her throat. Her hand will inch upward to the hem of my shirt. Her fingers will brush the underside of my bra. She’ll kiss my neck, fingers a steady pressure at my waist, a light pull downward at my pants, and —
            A sickening feeling will well up in my gut. I know how this will begin and I know how it will end, but I won’t have it in me to stomach it. So I’ll pull away gently, missing the comfort of her embrace already. I’ll wrap my hands around her wrist where her hand slid under my underwear. The hurt in her eyes will catch on my heart, but she’ll brush it off the way she did yesterday, and the day before that, and the day before that. I’ll let her.
            I see the way the girl in her 11 a.m. class (glistening blonde hair, soft melody, like the whole world halts at her voice) looks at her, how she’s fallen in love with Maya. I don’t fault her for it. She can’t love her more than me. She doesn’t know Maya’s laugh as I do, not her deepest secrets or the way she slides up to the counter at night on days when the power cuts out, curling in to make herself smaller so she doesn’t hit her head on the broken cupboards. She doesn’t know how her quiet smile steals my breath away, even barely visible in the flickering candlelight.
            But neither Kabir nor the girl know how much Maya loves me. Even when I struggle to breathe most days, when the world has slipped into a passing whim, she loves me. When I’m adrift amidst panicked hysteria and lifeless calm, deafening clamor and pin-drop silence leaving behind nothing but scratched bloody cuticles and torn out hair, her voice pulls the storm away. She cups the swirling winds and heavy rain in her steady hands and tells me I love you I love you I love you until the clouds above our heads are the only sign of catastrophe left.
            But what does love matter if I flinch at her every suggestive touch? If every instinct I’ve ever ignored screams Bloody Mary at the caress of her fingers near my thighs? I do let her touch me like she wants to sometimes. She’ll bite, moan my name, whisper exactly what she wants to do to me and I’ll let my fingers grip her hips the way hers grip mine (tight but not too tight, fingers spread, move your hands back and forth). My face will turn to the ceiling as she climbs over me again. I won’t be able to look at her. I’ll squeeze my eyes shut, search within me for the answer to a question I’ve been asking for my whole life — why can’t I just be normal? It’s childish and juvenile, something out of a teen novel, but it strikes true.
            As she mouths at my neck now, teeth scratching the skin lightly, I try to muster anything more than mild disgust. Flutter my eyes as if I won’t spend a half hour staring numbly at the hickey the next day, resisting the urge to vomit.
            “—Ananya?”
            My eyes flicker to Kabir instantly. “It’s Anya,” I say sharply.
            Accha?” He raises an eyebrow. Really? “It’s Ananya,” he corrects. “I know your type, wasting your life away drunk and —” his eyes flicker to the bottle of pills on the counter and he clenches his jaw, “— God knows what else. Going by some white name, sauntering around with  with girls in some kind of rebellion — I know your type. You’re pathetic.”
            A bout of bitter laughter escapes me. It’s a familiar feeling, this ball of incredulity and this isn’t fair wound tightly in my chest until I can’t find where the anger ends and despair begins. It unfurls now, spills out from my chest, climbs up my throat.
            “You think you have the right to call me pathetic?” I hiss. “I don’t know, Kabir, you don’t seem as if you’re in a very favorable position to cast judgments on being pathetic right now.” I stand up from the seat of the toilet and lean into the mirror, my breath fogging up his neck on the glass. “Or are you not the same man who drove his daughter away?”
            “You don’t know anything about me or my daughter,” he spits, crossing his arms petulantly.
            “And you don’t know anything about me. So shut the fuck up and go back to wherever it is you go when you’re not in my fucking mirror.”
            His eyes flash. “My daughter was misguided, I simply set her straight.”
            “Set her straight? She ran away from you — don’t pretend you knew her, you knew nothing about her! She hated you and your condescending lectures and your blatant ignorance and your stupid family’s Indian values, she hated you!
            The mirror shatters at the edges, thin cracks spreading like dominos to the edge of his face. The darkness behind him pushes forward and his face twists with rage, eyes squinted, nostrils flaring. I stumble back into the cabinet, banging my head on the edge of its open door. Rows of shampoo bottles and razors scatter around me, clattering against the floor and sink.
            “My daughter loved  loves  me, she’s been led astray. You’re nothing like her, meri beti, she’s a good girl—” he cries desperately. My daughter. The darkness pulls him back into the mirror at last, and his voice cuts off, leaving the bathroom silent.
            I slide down the cabinet, trembling. My head throbs. I wince as my hand comes back wet and sticky after I gingerly touch the back of my head.
            The mirror clears a little, cracks and darkness gone, to reflect my face. I exhale shakily, ignore the dark circles, the bone-deep exhaustion in my eyes. The fading echo of my father’s voice rings incessantly in my ears. The imprint of his face still lingers on the dirty glass.
            This time it was my fault, I tell myself firmly, I lost my temper too early.
            I’ve missed him.
            Meri beti, she’s a good girl.
            Wiping my eyes with the backs of my hands, I tilt my head, watching my reflection smile back brightly. My lips remain flat. She waves, raises her eyebrows at the toilet in a gentle reminder. I nod. Her figure blurs until it disappears completely.
            On my way out of the bathroom, I pause at the toilet and reach for the nearly empty bottle of pills on the bathroom counter my father had been glancing at and tilt the oblong disks into the bowl. The toilet clunks as the pills swirl down into the sewer. We’d have to get that fixed, too, I remind myself, the noise was quickly becoming annoying.
            I decide to leave my makeup the way it is, smeared and dripping; Maya will be back soon. She’ll take one look at me and apologize, fawn over my drawn face and smudged eyeliner with her hands pressed delicately to my cheeks. Maybe we would have sex. I think I could handle that today.
            It’s alright, I’ll assure her when she asks the next morning if I took my dose yesterday, I can afford to miss a day or two now.

About the Author

Trisha Khattar is a writer, journalist, and podcaster at Amador Valley High School in Pleasanton, California. She believes in the power of writing as a tool of self-expression and change and hopes to harness that power for good in the future.  Her work has been in a COVID-19 anthology published by Writopia Labs, and her scriptwriting has been recognized by the Scholastic Art & Writing Awards. She is editor-in-chief and co-founder of her local teen literary magazine.

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